Music and Twentieth-Century Tonality

50.60

Taal

Engels

Bindwijze

E-book

Oorspronkelijke releasedatum

04 mei 2012

Aantal paginas

176

Ebook Formaat

Adobe ePub

Illustraties

Nee

Hoofdauteur

Paolo Susanni

Tweede Auteur

Elliott Antokoletz

Hoofduitgeverij

Routledge

Lees dit ebook op

Android (smartphone en tablet), Kobo e-reader, Desktop (Mac en Windows), iOS (smartphone en tablet), Windows (smartphone en tablet)

Editie

1

Extra groot lettertype

Nee

Studieboek

Nee

Verpakking hoogte

13 mm

EAN

9781136314209

Categorien

Kunst & Fotografie Muziek Muziekwetenschap Boeken

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This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transformation. It is precisely this peculiarity of the non-serialized twelve-tone system that allows for an array of pitch relations and modal techniques hitherto perceived difficult if not impossible to analyze. Susanni and Antokoletz present the principles, concepts, and materials employed for analysis using a unique theoretic-analytical approach to the new musical language. The book contains a large number of original analyses that explore a host of composers including Ives, Stravinsky, Bart?k, Messiaen, Cage, Debussy, Copland, and many more, providing insight into the music of the tonal revolution of the twentieth century and contributing an important perspective to how music works in general.

Music and Twentieth-Century Tonality
Music and Twentieth-Century Tonality
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